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Swamplandia!

Cover of Swamplandia!

Swamplandia!

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A New York Times Top 10 Book of 2011

Thirteen-year-old Ava Bigtree has lived her entire life at Swamplandia!, her family's island home and gator-wrestling theme park in the Florida Everglades. But when illness fells Ava's mother, the park's indomitable headliner, the family is plunged into chaos; her father withdraws, her sister falls in love with a spooky character known as the Dredgeman, and her brilliant big brother, Kiwi, defects to a rival park called The World of Darkness. As Ava sets out on a mission through the magical swamps to save them all, we are drawn into a lush and bravely imagined debut that takes us to the shimmering edge of reality.

A New York Times Top 10 Book of 2011

Thirteen-year-old Ava Bigtree has lived her entire life at Swamplandia!, her family's island home and gator-wrestling theme park in the Florida Everglades. But when illness fells Ava's mother, the park's indomitable headliner, the family is plunged into chaos; her father withdraws, her sister falls in love with a spooky character known as the Dredgeman, and her brilliant big brother, Kiwi, defects to a rival park called The World of Darkness. As Ava sets out on a mission through the magical swamps to save them all, we are drawn into a lush and bravely imagined debut that takes us to the shimmering edge of reality.

Available formats-
  • Kindle Book
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Subjects-
Languages:-
Copies-
  • Available:
    4
  • Library copies:
    5
Levels-
  • ATOS:
    6.3
  • Lexile:
  • Interest Level:
    UG
  • Reading Level:
    5

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Awards-
Excerpts-
  • Chapter One: The Beginning of the End

    Our mother performed in starlight. Whose innovation this was I never discovered. Probably it was Chief Bigtree's idea, and it was a good one--to blank the follow spot and let a sharp moon cut across the sky, unchaperoned; to kill the microphone; to leave the stage lights' tin eyelids scrolled and give the tourists in the stands a chance to enjoy the darkness of our island; to encourage the whole stadium to gulp air along with Swamplandia!'s star performer, the world-famous alligator wrestler Hilola Bigtree. Four times a week, our mother climbed the ladder above the Gator Pit in a green two-piece bathing suit and stood on the edge of the diving board, breathing. If it was windy, her long hair flew around her face, but the rest of her stayed motionless. Nights in the swamp were dark and star-lepered--our island was thirty-odd miles off the grid of mainland lights--and although your naked eye could easily find the ball of Venus and the sapphire hairs of the Pleiades, our mother's body was just lines, a smudge against the palm trees.

    Somewhere directly below Hilola Bigtree, dozens of alligators pushed their icicle overbites and the awesome diamonds of their heads through over three hundred thousand gallons of filtered water. The deep end--the black cone where Mom dove--was twenty-seven feet; at its shallowest point, the water tapered to four inches of muck that lapped at coppery sand. A small spoil island rose out of the center of the Pit, a quarter acre of dredged limestone; during the day, thirty gators at a time crawled into a living mountain on the rocks to sun themselves.

    The stadium that housed the Gator Pit seated 265 tourists. Eight tiered rows ringed the watery pen; a seat near the front put you at eye level with our gators. My older sister, Osceola, and I watched our mother's show from the stands. When Ossie leaned forward, I leaned with her.

    At the entrance to the Gator Pit, our father--the Chief--had nailed up a crate-board sign: YOU WATCHERS IN THE FIRST FOUR ROWS GUARANTEED TO GET WET! Just below this, our mother had added, in her small, livid lettering: ANY BODY COULD GET HURT.

    The tourists moved sproingily from buttock to buttock in the stands, slapping at the ubiquitous mosquitoes, unsticking their khaki shorts and their printed department-store skirts from their sweating thighs. They shushed and crushed against and cursed at one another; couples curled their pale legs together like eels, beer spilled, and kids wept. At last, the Chief cued up the music. Trumpets tooted from our big, old-fashioned speakers, and the huge unseeing eye of the follow spot twisted through the palm fronds until it found Hilola. Just like that she ceased to be our mother. Fame settled on her like a film--"Hilola Bigtree, ladies and gentlemen!" my dad shouted into the micro?phone. Her shoulder blades pinched back like wings before she dove.

    The lake was planked with great gray and black bodies. Hilola Bigtree had to hit the water with perfect precision, making incremental adjustments midair to avoid the gators. The Chief's follow spot cast a light like a rime of ice onto the murk, and Mom swam inside this circle across the entire length of the lake. People screamed and pointed whenever an alligator swam into the spotlight with her, a plump and switching tail cutting suddenly into its margarine wavelengths, the spade of a monster's face jawing up at her side. Our mother swam blissfully on, brushing at the spotlight's perimeter as if she were testing the gate of a floating corral.

    Like black silk, the water bunched and wrinkled. Her arms rowed hard; you could hear her breaststrokes ripping at the water, her gasps for air. Now and...

About the Author-
  • Karen Russell, a native of Miami, has been featured in The New Yorker's debut fiction issue and on The New Yorker's 20 Under 40 list, and was chosen as one of Granta's Best Young American Novelists. In 2009, she received the 5 Under 35 award from the National Book Foundation. Three of her short stories have been selected for the Best American Short Stories volumes. She is currently writer-in-residence at Bard College.

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    Knopf Doubleday Publishing Group
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